81. both novelists use a storytelling method that emphasizes ironic disjunctions between different perspectives on the same events as well as ironic tensions that inhere in the relationship between surface drama and concealed authorical intention, a method i call an evidentiary narrative technique.
81、兩種小說(shuō)家都使用一種講故事的方法，來(lái)強(qiáng)調(diào)同一事件不同角度的諷刺差別和淺顯戲劇與隱藏的權(quán)威傾向的諷刺聯(lián)系，我稱(chēng)之為明顯的敘述技巧。
82. when black poets are discussed separately as a group, for instance, the extent to which their work reflects the development of poetry in general should not be forgotten, or a distortion of literacy history may result.
82、如果把黑人詩(shī)人當(dāng)作一個(gè)群體來(lái)討論的話，比如說(shuō)，他們的作品反應(yīng)的詩(shī)歌發(fā)展歷史的程度不該被忘記，可能會(huì)產(chǎn)生文學(xué)歷史的一些改變。
83. these differences include the bolder and more forthright speech of the later generation and its technical inventiveness.
83、這些不同包括了下一代人大膽直率的言辭和他們的技術(shù)發(fā)明性。
81、兩種小說(shuō)家都使用一種講故事的方法，來(lái)強(qiáng)調(diào)同一事件不同角度的諷刺差別和淺顯戲劇與隱藏的權(quán)威傾向的諷刺聯(lián)系，我稱(chēng)之為明顯的敘述技巧。
82. when black poets are discussed separately as a group, for instance, the extent to which their work reflects the development of poetry in general should not be forgotten, or a distortion of literacy history may result.
82、如果把黑人詩(shī)人當(dāng)作一個(gè)群體來(lái)討論的話，比如說(shuō)，他們的作品反應(yīng)的詩(shī)歌發(fā)展歷史的程度不該被忘記，可能會(huì)產(chǎn)生文學(xué)歷史的一些改變。
83. these differences include the bolder and more forthright speech of the later generation and its technical inventiveness.
83、這些不同包括了下一代人大膽直率的言辭和他們的技術(shù)發(fā)明性。
